The Life Story Of Vincent Van Gogh

On 30 March 1853, Vincent van Gogh was born in the south of the Netherlands, in the village of Groot-Zundert, in the province of North Brabant. He had two brothers and three sisters. Vincent was a thoughtful, silent and serious child.

In 1860, he went to the Zundert village school where there were about 200 pupils and only one teacher. From 1861 to 1864 Vincent and one of his sisters were taught at home. Then in the autumn of 1864 Vincent went to boarding school at Zevenbergen, about 20 miles distance from home. From 15 September 1866 to March 1868 Vincent went to Willem II College, in Tilberg. The successful artist, Constantijn C. Huysmans, taught Vincent to draw in a systematic way.

In July 1869, Vincent got a job at Goupil & Cie (an art dealer) in The Hague. In June 1873, he was sent to work in London at Messrs. Goupil & Co, 17 Southampton Street. This was a happy period for him and was earning more than his father. He started to become more isolated and had more zeal for religion. His uncle and father sent him to Paris to work in a dealership. This job lasted until 1 April 1876 when he lost the job because of his resentful attitude. He thought that art should not be treated as a commodity.

Vincent went to Ramsgate, in England, for an unpaid job as a supply teacher for a boarding school. He made sketches of the views of Ramsgate harbor. The job situation did not work out for Vincent so he left. At Christmas, he returned home and got a job at a bookshop in Dordrecht for six months.

Vincent's growing zeal for religion led him to study theology in Amsterdam, in May 1877. Vincent failed the entrance exam and left in July 1878. He then went on a three month course at a Protestant missionary school, in Laeken near Brussels, but also failed at that.

In January 1879, van Gogh got a temporary position as a missionary in Petit Wasmes, in the coal mining district of Borinage, in Belgium. He chose to live like those he preached to, sharing in their hardships and squalid living conditions. The church authorities dismissed him for "undermining the dignity of the priesthood." He returned to his parents home in Etten and stayed until March 1880. His father made inquiries about sending Vincent to a lunatic asylum at Geel.

Vincent went to Cuesmes where he was a lodger with a miner until October. He made drawings of the people and scenes around him. On 15 November 1880 he registered at the Acamedie Royale Des Beaux-Arts (school of art), in Brussels. He studied anatomy, perspective and modeling.

In April 1881, Vincent returned to Etten with his parents where he made more drawings. In the summer he spent a lot of time with his cousin, Kee Vos-Stricker, who was recently widowed. He proposed marriage but she refused. In November, Kee refused to see him even though he was very persistent. At Christmas, he had a big argument with his father then left to go to The Hague.

In January 1882, Vincent settled in The Hague and visited his cousin-in-law, Anton Mauve who was a Dutch realist painter. Mauve introduced him to painting in oils and watercolors and also lent him money to set up an artist's studio. They had an argument and Mauve did not respond to Vincent's letters. Van Gogh now lived with an alcoholic prostitute, Clasina Maria Sien Hoornik, and her five year old daughter.

Vincent's uncle, who was an art dealer, commissioned twelve ink drawings of the city views and another seven drawings later on. Vincent soon completed these after arriving at The Hague. In June 1882, he was suffering with gonorrhea and was in hospital for three weeks. In the summer he started painting with oil paints. In the autumn of 1883 he left Sien. In December, because he was lonely he returned to his parents who had moved to Nuenen, North Brabant.

While van Gogh was in Nuenen he made many paintings and sketches of weavers in their cottages. His father died of a heart attack on 26 March 1885 and he grieved a lot. He stayed in Nuenen for two years and made almost 200 oil paintings and many watercolors and drawings. During this period he worked with mainly somber earth tones.

Vincent moved to Antwerp in November 1885 and rented a small room above a paint dealer's shop. He studied color theory and visited museums which inspired him to use a more colorful palette. He became a heavy drinker of absinthe and ate poorly.

In March 1886, van Gogh went to Paris to study at Fernand Cormon's studio. He stayed with his brother Theo in his apartment on Montmartre. During his period in Paris he painted scenes along the Seine and Montmartre, still life paintings, and portraits of friends. He also collected hundreds of Japanese prints and some were included in the background of some of his paintings. Other students at Cormon's studio included Henri De Toulouse-Lautrec, Emile Bernard, and Louis Anquetin.

Vincent and Theo became friends with Paul Gauguin in November 1887. Vincent stayed in Paris for two years and painted over 200 paintings there. In February 1888, he left Paris because he was worn out by the city.

Van Gogh travelled to Arles, in the south of France, arriving on 21 February 1888. He was inspired by the vibrant light and local landscape of Arles, as can be seen in paintings of this period. They have intense colors, especially mauve, yellow and ultramarine. Paintings of this period include Van Gogh's Chair (1888), The Night Cafe (1888), Bedroom In Arles (1888) and Still Life: Vase With Twelve Sunflowers (1888).

Vincent repeatedly asked Paul Gauguin to live and work with him at the Yellow House, in Arles. On 23 October 1888 Gauguin finally arrived. They started painting together but it was not long before their relationship deteriorated. They argued fiercely about art. On 23 December 1888, Vincent confronted Gauguin with a razor blade but then paniced and went to a local brothel. While there, he cut off his left ear, wrapped it in newspaper and gave it to a prostitute. Then he staggered home. Later on, Gauguin found him lying unconscious with his head covered in blood.

Van Gogh was in hospital for the next several days in a critical condition. Gauguin never saw Vincent again and left Arles. Vincent returned to the Yellow House but for the next month he was in and out of hospital because of hallucinations and delusions.

On 8 May 1889, Vincent entered the asylum at Saint Paul-de-Mausole, about 20 miles from Arles. The hospital is a former monastery and is surrounded by vineyards, olive trees and cornfields. In June 1889, he painted The Starry Night, one of his most well known paintings. During the year that he stayed at the asylum he painted many of his most compelling paintings.

In May 1890, Vincent moved to Auvers-sur-Oise, in the north western surburbs of Paris, to be treated by the physician Dr Paul Gachet. Gachet was also an amateur artist and had treated several other artists. Vincent painted some paintings of Gachet in June 1890. He painted about 70 oil paintings during his time at Auvers-sur-Oise.

Van Gogh's illness became worse and at times he was either unable or unwilling to paint. This was a source of much frustration for him because he was also an artist at the peak of his ability. On 27 July 1890, he walked into a field and got a revolver out, then shot himself in the chest. He managed to walk back to his rented accommodation but after 29 hours he died there (aged 37).

Robert Lynch is writing articles to attract visitors to his art web page.
Visit: www.artgallery.co.uk/artist/robert_lynch

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Vincent Van Gogh - How Little We Really Know

We all know about his wonderful paintings, but how much do we know about the man himself? It is fascinating to find out how little we actually know and since he died in 1890 certain things will always remain the subject of speculation.

The first point of interest is nobody knows for sure if Vincent was a right or a left handed artist. In all the correspondence between him and his closest friend Gauguin this is never mentioned. The main school of thought from dutch scholars upholds that he was right handed. This is peculiar because in one of his most famous self portraits he is clearly shown holding the palette with his left hand, but if we accept he painted the portrait using a mirror then he would have been holding the palette with his right hand, therefore he would have held the brushes and painted with his left hand.

Many people, however, argue that as an artist he would have easily been able to reverse the hand holding the palette to give an accurate idea of which hand he used to paint, as an artist myself I would always show myself as left handed because that is what I actually am. One more point of complexity. Although there have been many left handed artists, Michaelangelo and Leonardo to name just two. At the time of Van Gogh's life, left handedness was associated with the devil. Being left handed was highly discouraged. The french for left is "sinistre" and the french for clumsy is "maladriot" or literally bad at right. To paint using the left hand would be something to be practised as discretely as possible.

The second point of discussion is his famously, partially severed ear. The standard line of thought is that he cut off part of his own ear and then presented it to a prostitute he had fallen in love with. A more modern theory says that actually Gauguin cut off Van Gogh's ear in an argument which had got out of hand. It may be that they shared a love for the same woman. It is known, however, that Gauguin was an expert with a sword, and that he was a burly man who would not have been afraid to wield it. It is also recorded that Van Gogh's brother, Theo, once wrote, "It is as well that Gauguin was not armed with a more modern weapon". Was Theo referring to this argument and just being grateful that Vincent had escaped with his life. Did the pair decide to cover up the truth. Gauguin continued to write to Van Gogh in very fond terms, right up until his unfortunate death. If they argued then this is never mentioned in Gauguin's letters.

Again this will probably remain an unsolved mystery. How strange that we know his paintings so well and yet so little is known about the man.

Mark Robb is a practising artist based in Haworth. If you have enjoyed the article above then he invites you to browse the website http://firstforart.com/ where you will find all kinds of art materials, art prints and further advice and tips to help you become a better artist

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Vincent Van Gogh: How to Get the Most Out of Your Museum Visits in Holland

Two great Vincent van Gogh collections exist side by side in Holland. How is that possible? This is the story of two great collectors and collections:

The first, visionary one is Helene Muller, born 1869, who married the wealthy industrialist, mr Kroller and thus, by Dutch custom, was named ms. Kroller-Muller. As the couple were incredibly wealthy they bought a vast hunting area and built themselves a luxurious villa-cum-hunting lodge and made detailed plans for a major museum on their property in order to house the modern art collection amassed by Helene. With almost unlimited funds, an impeccable taste and mr Bremmer as the main art advisor next to her, she had started to buy works by Juan Gris, Piet Mondian and many other names of artists now internationally famous. Those works of art were still affordable in those days.

Then the economic crash of 1933 came and their business capital evaporated. With foresight, the Dutch state took over the land and the art collections and supported the construction of the small museum to house the grand collection, and then opened up the museum and wildlife park to the public as a celebration of the interplay between Nature & Art. Subsequent directors added new wings and designed and filled a vast sculpture park which is almost unequaled in the world. A visit to the park is a treat. One needs a car to get there, out in the middle of nowhere.

The other collector, Theo van Gogh, is known worldwide as the brother who floated Vincent. During his lifetime, Vincent van Gogh was so way ahead of the market that he managed to sell just one or two paintings. All of the other works he painted ended up with his brother Theo, who considered the paintings sent by Vincent to Theo as a fair exchange for the continuous flow of money from Theo to Vincent. Theo also wanted Vincent to befriend the circle of modern (Impressionist) painters in Paris to exchange paintings as a basis for an art gallery for modern art, envisioned by Theo. That business venture never was realized because of his untimely death.

Theo died just one year after Vincent and Theo's widow started a PR campaign to make Vincents' name famous throughout the world. She wrote to art dealers and sent paintings to be exhibited and sold worldwide. And she started publishing the famous volumes of letters by Vincent. The sandwich of the two: Art & Letters had made Vincent the first artist in the world who can be followed in life and career and art almost from week to week.

Paintings by Vincent van Gogh subsequently sold all over the world by Theo's widow how shine as ambassadors of an incredible artists life and artistic genius. One may also go to the MOMA, NYC and see Starry Night, and in London one sees the wonderful Sunflowers.

These works of art by Vincent and his contemporaries from the family collection are now beautifully exhibited in Amsterdam, for the Dutch State came to terms with the Van Gogh family to erect a building and to take care of the staffing and running cost. Added to this core collection are the works of art which inspired Vincent and which are often mentioned in letters from Vincent to Theo. Also subsequently collected are works by painters such as German Expressionists and Dutch Expressionists who championed Vincent. They dared to go where no man had ventured before.

(A little note on how to pronounce his name in Dutch: South of the great rivers, where he was born, the 'g' is soft and aspirated. North of these rivers, where he also lived and worked as a young man the 'g' is hard, almost Scottish, like noisily clearing the back of a throat.)

Biography.

Art historian has published widely and has a great capacity to share with others his deep passion for art history while sharing ways of heightened perception.

With a bit of luck, I can take you to both places, Amsterdam and Otterlo, and give you a fascinating and riveting on-the-spot lecture on history, art history and art appreciation. As an art specialist I can stand next to you and we will see what knowledge and passion may yield. In order to really "get it", it may take a specialist to learn how to fully see and appreciate. I am that kind of docent art historian.

http://kalden.home.xs4all.nl/verm/tour-k-krollermullerENG.html

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