Showing posts with label Simple. Show all posts
Showing posts with label Simple. Show all posts

Sunday, July 31, 2011

Portrait Painting, You Can Get Better Results Using These Two Simple Techniques

In the following article I am going to give two simple techniques to help you as an artist achieve accuracy in your portraiture. Sometimes as an artist you will start to evolve these techniques without even realising that you are using them, however, putting these techniques into words often helps the beginner.

The first technique is the application of negative shapes in your art. Essentially a negative shape is a shape formed around the head or body of a person that you can objectify. A classic negative shape would be the shape of the space between a body's arms and hips. Using negative shapes, you may see a curl of hair on the head you are painting. The curl of hair will interact with the background you are drawing. It may protrude into the spine of a book, half way up, on a bookcase behind the person you are drawing. As an artist it is easier for you to draw something you can define as an objective reality rather than something you feel emotionally about. So you would in this example draw the shapes formed between the bookcase, the head, the shoulders and the curl of hair. By drawing the negative shapes formed by the head and the bookcase accurately you will obtain a correct perspective and proportion for the head without even considering the head shape.

You can start to use negative shapes within the structure of the face and head as well. Take the effect of light for example. It is always good for an artist to draw a portrait in good directional light which casts shadows. This makes form much easier to see and define than a soft non directional light source. In directional light there will be shadows cast around the nose, around the forehead and the eyes. Start to look at the shadows and consider their shapes. Again by using this technique we are removing emotion from our work and making it easy to see an objective reality. The shadow cast by light on an eye often takes the shape of a triangle with one side flat down the side of the nose. Study and draw the triangle and not the eye. If this is correct then the proportions of the eye will start to fall into place without any worry on your part that you are not getting the shape quite right.

The second simple technique I would like to give you to use is called plumbing. Plumbing is imagining a vertical line on your drawing. You can if you wish lightly draw a vertical line to assist you further. For example imagine a vertical line from the outside corner of an eye. Follow this down. How near would this line approach the corner of the mouth. This technique is most useful if you are drawing or painting a head which is inclined from the vertical. It is also much more real for the viewer to see a head inclined slightly in thought than held erect like a statue.

I hope you have enjoyed reading this short article and if you start to use these two simple techniques you will be pleasantly surprised at the results you start to achieve.

Mark Robb is a practising artist based in Haworth. If you have enjoyed the article above then he invites you to browse the website http://firstforart.com/ where you will find all kinds of art materials, art prints and further advice and tips to help you become a better artist


View the original article here

Sunday, June 26, 2011

Simple Sketching Exercise To Free The Artist Within You

One of the biggest problem that's holding a lot of artists back is the tendency to over think a drawing project. I'm sure you've been there before. You stare at a picture forever not knowing where to begin and when you do finally start drawing, you agonize over every single stroke and curve. Erasing and re-drawing, erasing and re-drawing. The whole process becomes quite frustrating and your final art work is never as good as you'd like it to be.

This is the artistic equivalent of writer's block and the reason you (and so many other artists) suffer from it is simple: you are trying to draw AND edit yourself at the same time. Here's why this is such a bad idea: in order to draw you must engage the creative side of your brain but when you edit and critic yourself, you are engaging the analytical side of your brain. The two cannot both function at the same time. It is the equivalent of you trying to walk forward and backward simultaneously; the result is paralysis and you end up going no where.

Ok, so how do you break this all too common habit? One simple, yet devastatingly effective exercise is the "60-second sketch". The way it work is you pick out a picture of a figure that you want to draw and then draw it in 60 seconds. After 60 seconds, you HAVE to stop. Now obviously you're not going to be able to draw a very complete figure in 60 seconds, but that's the point. This exercise forces you to let go of any self-editing tendency and allow your creativity and energy to flow through. You stop obsessing about the details and begin to see the figure as a whole. This, by the way, is the key to adding life and emotion to your drawings. Do this exercise at least one time a day and you'll be well ahead of 95% of artist out there. (There's no excuse not to...it only takes 60 seconds!)

Here are some key points to remember when doing this exercise:

-Always keep your hands moving. If you slow down, you are only giving yourself a chance to slip back into an analytical frame of mind. (I like to act like I just drank a gallon of Red Bull and that my hand is possessed by some artistic demon)

-Make long broad strokes. This means you should be drawing not with just your wrist, but also your arm. It also helps to practice on a large piece of paper so that you have more freedom to move around.

-Warm up by doodling or drawing long vertical and horizontal lines across a piece of scratch paper. As simple as this sounds, it will wake up your hand and make the exercise much easier and enjoyable.

Now just because you are engaging your creative brain, does not mean that the analytical side is not important. That's not what I'm saying at all! You just shouldn't be trying to hone both skills at the same time. But true greatness can only come when you have both creativity and a solid technical knowledge of your craft. In fact, by strengthening your knowledge of anatomy and the human body, you'll find that you'll be able to product these 60-second sketches effortlessly and that they will come out much more detailed and realistic.

One great tool for building your knowledge of anatomy is my ebook "Shortcut Secrets of Figure Drawing". It has TONS of illustrations of every human body parts for you to reference. It covers every parts in the human body and show them in perspective, from different angles, both in still poses and in movement.

You can get a FREE chapter by going to http://www.secretsoffiguredrawing.com/optin and enter your email to get free instant access to this 20-page content-packed chapter.

I guarantee it will improve your figure drawing faster than anything out there...and it's completely free. You'll also receive other great articles and useful tips about figure drawing. Don't worry, there's no obligations and you can unsubscribe at anytime!

Get Your FREE Chapter Now


View the original article here