Showing posts with label British. Show all posts
Showing posts with label British. Show all posts

Tuesday, June 28, 2011

Modern British Paintings

Modern British painting started after painters recognised the potential for artistic freedom in modernism. Realizing the possibilities in art that artists such as Cezanne and other modernist masters made apparent, British modern artists looked to a home-grown form of expressive, modern and direct way of painting.

An art that was direct, forward-looking, futuristic and overtly modern germinated in the minds of Britain's artists. Exciting possibilities from foreign shores, from French impressionism cubism, through to surrealism and the international style, free from convention stimulated British modern artists to explore their own interpretations.

Creative, individual and overtly British, paintings by early London impressionists such as Walter Sickert led the way to a raft of creative modern artist absorbing cubism and futurism on the continent to develop Vorticism, with its aggressive geometric forms by artists such as David Bomberg.

The Bloomsbury Group furthered British art after the First World War, with abstraction becoming more and more important for British modern artists in the 1930s onwards. Ben Nicholson and the St Ives artists initiated the turn to more modern, abstract paintings with a focus on form.

In the aftermath of World War II, the flowering of modern landscape painters such as Terry Frost, Peter Lanyon, Patrick Heron and Ivon Hitchens created highly individual, abstract and expressive paintings born out of the pre-war St Ives tradition.

Concurrently, a collection of painters working in post-war London, Lucien Freud, Francis Bacon, Peter Andrews, Frank Auerbach, Leon Kossoff, Howard Hodgkin painted expressive figurative paintings, portraits and responses to their surroundings in highly creative and individual ways. Collectively known as the School of London.

Artists such as Francis Bacon and Lucien Freud were/are firstly interested in their experience of reality, with abstraction a lesser concern and indeed their work can be seen in opposition to American abstract expressionist painters of their time.

In the mid 1950s, the Beaux Arts Quartet group of painters produced social realist art based on ordinary life, often known as the Kitchen Sink painters.

Later modern British painters such as David Hockney and Peter Blake are individual British artists whose work was influenced by American-led Pop art starting in the 1960's. The advance of painting towards conceptual art of the late 60's and 70's marked the close of the Modern British period.

Many of the modern British artists are still producing wonderful work after long, distinguished careers with artist like Frank Auerbach, Leon Kossoff and Lucian Freud.


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Sunday, June 26, 2011

The Best Modern British Art Books Of 2011 So Far

It has already been a fantastic year for Modern British Art publications ranging from the very best in British Design to long awaited monographs on renowned masters of modern art in Britain.

The highly anticipated John Piper in Kent & Sussex concentrates on Pipers love of the British Landscape. With contributions by acclaimed experts including Alexandra Harris, David Heathcote and Richard Ingrams this title explores the full breadth of Pipers art including the stained glass and church vestment works produced for the Romney Marsh Churches and the famous Chichester Cathedral Tapestry commission. Some of Pipers most important works were produced in Kent & Sussex, and for those with a particular interest in Sussex includes notable works from the collection at Pallant House Gallery.

John Piper in Kent & Sussex is a must for both Piper fans, and those interested in art works associated with the Sussex and Kent Landscape.

Following the success of the recent publications on Ravilious - Ravilious in Pictures and Ravilious at War, the third volume in the trilogy has now been published. Ravilious in Pictures: A Country Life features twenty-two beautiful watercolours painted in north-west Essex and on the coast. Accompanying essays by James Russell explore the artist's home life, introducing the people and places he know around the villages of Castle, Hedingham and Great Bardfield, and offering insights into the culture and customs of 1930s England.

For those with a passion for design there have already been a number of comprehensive books published.

The revised and updated version of Lesley Jackson's Robin & Lucienne Day: Pioneers of Contemporary Design and A Symbol for the Festival: Abram Games and the Festival of Britain by Naomi Games are just a taste of the collection of design publications released in 2011.

Both books celebrate British design at its best and coincide with the 60th Anniversary of the Festival of Britain and the current revival of interest in post-war art and design.

For those interested in post-war British painting, the long awaited and first ever full-scale monograph on John Craxton, written by Ian Collins will be welcomed. Illustrated throughout in colour, this book brings to life his paintings from the early neo-romantic pastoral pieces to the vibrant paintings inspired by Crete. The book examines Craxton's important role in post-war British art and covers his early relationship with Lucian Freud. It also looks at his wonderful work for ballet and book designs.

Later in the year, Pallant House Gallery will be holding the first major retrospective of the work of Edward Burra since 1985. The large collection of his paintings on show will be accompanied by a major publication written by Simon Martin and will bring to light previously unpublished paintings.

For modern British art books, look no further than Pallant House Bookshop. We stock a wide range of these books, including ones about John Piper and Eric Ravilious.


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